Check out the following site for a hilarious look at Martin Rowson's comic genius:
http://images.google.co.uk/images?q=martin+rowson&oe=utf-8&rls=org.mozilla:en-US:official&client=firefox-a&um=1&ie=UTF-8&ei=4YRUSriDC8mZjAfqztWSCQ&sa=X&oi=image_result_group&ct=title&resnum=4
Copy and paste the above into your search-engine.
Some cartoons may cause offence!
Wednesday 8 July 2009
Monday 6 July 2009
OK, here are all the installments of our story plus the latest addition!
______________________________________________________
1. Once upon a time there was a midshipman known by the name of Lancelot "Lucky" Liddleton who resided in Liverpool when he was not on his travels. The astute reader will have more than gathered by now that the letter L is significant to Lance (as his better half Mrs Lydia Liddleton liked to refer to him) and that contrary to his middle moniker, life presented numerous problems whose origins appeared to stem from the twelfth letter in the alphabet...
2. Little did "Lucky" Lance Liddleton know, that his lack of luck came largely from his licentious lust of all things lady-like. Poor Lydia Liddleton, who so dearly loved Lance, that when he left Liverpool on his longboat "The Leviathan", she would languidly lie in loneliness laughing lamely at his leaving. But, our lying Lothario Lance, was sacked from the longboat for being lazy, and spent his time in Leicester looking for loose ladies, the loser. Whilst in Leicester late one July, Lucky Lance found himself facing legal action linking him to libelous loquacity. Our lowly, unlikeable Lance wondered what it was he had let slip...
3. Had he lied to a Lord? Leered at a Lady? He lurched back to his lodgings, lolled through he door, and lo! Lying in the lobby was a letter, light but lethal. The libel-claiming loon was about to let on! Was it a litigious lord? A la-di-da lady? Little by little he leaned and he looked and he learned…
Many moons, moaned M,
Have I mooched below L,
Whereas I am, in point of fact, master!
Why all things malevolent
March forth with M,
I am monstrous, and madden much faster!
Why else maggots and malice,
Manure, mould and mumps,
Why else mad cows, mosquitoes and mud?
Too long you’ve allowed
Lance by ‘L’ to be cowed
When in fact, as a letter, he’s dud!
So make up your mind –
Who will be your main man?
Move maturely, be manful, pick well.
But a word in your ear
(though the matter is clear)
Only manifest madmen choose L!
A massive, maroon M concluded the missive, and Lance was much moved. This was the mysterious mugger of his peace of mind! He was motionless on the mat. What should he do? Avoid melons and motorcars and men for the rest of his miserable life? Or Lydia, ladies and lunch? He was still lying lethargically and moaning morosely when suddenly -
4. Well, the question;
how to continue....
..stretched Lance's every sinew
What could he say..
..could he there stay?
So Leicester was to be replaced
for he thought an island was the place
to recover his guile
in a far and lonely isle!
The internet was checked
and his suitcase bedecked
with things for hot sunny days
A ticket was booked
and his passage looked
assured, far, and away
So he got to the airport
without any more thought
He searched for his flight
and all went to delight
Check-in was done
Baggage under a tonne
Seat belt strapped in
Just about to begin.......when,
there on the flight! A fright!.....
5. But enough about Lance for the moment - wouldn't you like to know more about Mrs Lydia Liddleton? Fed-up to the eye-teeth with her husband's disregard for her feelings, she was discovering her love for husband "Lucky" Lance Liddleton was on the wane. No more did she wish to succumb to lying languidly in ‘loneliness laughing lamely at his leaving’! Not for her any longer the inertia of sorrow as her husband cavorted round the globe on the bosom of a loose lady.
Ire fermenting in her head, Lydia is oblivious to the streets of Leicester as she storms down the avenue of broken dreams, but with a sudden, some would say inevitable, bump, she finds herself flat on her pert posterior, skirts bunched in her lap, as in front of her the magnificent Malcolm Muniche proffers his hand…
6. All that she could learn of him at first sight, through her tear-induced lippitude, was a marvellously moliminous moustache, bristling endearingly through her miasma of grief. Mrs Lydia Liddleton lowered her eyes, and accepted the hand, a hand that was moist and meaty, her own hand lithe and slender held lightly in his grasp. Finally, the meaningful meeting of eyes, lasting lingeringly before Lydia turned away for a second time.
7. She had known that the Abecedarian-Zealots would send such mystagogue into the midst of her lonely, lexiphanic life, and came quietly. But that in her head, silently cursed her luckless matrimony “What has that ludicrously logoleptic, labrose, liliputimous, Lancelot Liddleton said now?!”
Later that evening, she was lead, a little more languorously but still cursing her idiot-husband, into the Grand Chamber of the awful A-Z zealots...
What could they want from Her??
8. Passion propelled her past the onerous O into a place of plenty,plumetting past pride into p...p...p..p, no my lady, not prostitution, but positions portrayed in more purple prose than this story permits. So we'll pause a while to leave the good lady to enjoy her passionate embraces in privacy.
9. Peace,save perhaps for the prophecy of the patter of tiny pedated protruberances sired by Malcolm Muniche. Oh Malcolm, is paternity what you had in mind?
10. We have lingered on Lydia long and left Lucky Lance. Does the reader recall his attempted flight from M, motherland and his much-martyred marital mate? Does the reader recall the fright awaiting him on his flight? Well…
Lance was a seaman, and as such used to more basic onboard facilities. He’d never been on a state-of-the-art Getaway Airlines flight, and didn’t realise that, along with free cashews, undersized beverages and hot towels, Getaway Airlines provided top speed in-flight broadband. Lance was tickled pink and flicked on the screen with great gusto – but oh! The person before him – an individual of quite unparalleled taste and intelligence – had been reading the Ways With Words Interns’ blog!
Lance glanced, then gazed, then gaped. Oh, Lydia, Lydia! Lance lowered his eyes in shame. He was leaving the loveliest lady in Liverpool – and leaving her, moreover, to the malicious, malodorous Malcolm Muniche!
He jumped up, scattering complementary nuts and miniature bottles of tonic water. He charged down the aisles – not even hesitating for his hand luggage – and out the terminal doors into the drizzling afternoon. But to him it seemed like the sweetest sunshine, blessed and beautiful, for in it dwelt his lady love!
He pounded the pavements, heart pumping, praying that his perfect partner would be where he left her (if you remember - lying languidly in loneliness laughing lamely at his leaving…). Once more he lurched back to his lodgings, lolled through the door, and lo!
______________________________________________________
1. Once upon a time there was a midshipman known by the name of Lancelot "Lucky" Liddleton who resided in Liverpool when he was not on his travels. The astute reader will have more than gathered by now that the letter L is significant to Lance (as his better half Mrs Lydia Liddleton liked to refer to him) and that contrary to his middle moniker, life presented numerous problems whose origins appeared to stem from the twelfth letter in the alphabet...
2. Little did "Lucky" Lance Liddleton know, that his lack of luck came largely from his licentious lust of all things lady-like. Poor Lydia Liddleton, who so dearly loved Lance, that when he left Liverpool on his longboat "The Leviathan", she would languidly lie in loneliness laughing lamely at his leaving. But, our lying Lothario Lance, was sacked from the longboat for being lazy, and spent his time in Leicester looking for loose ladies, the loser. Whilst in Leicester late one July, Lucky Lance found himself facing legal action linking him to libelous loquacity. Our lowly, unlikeable Lance wondered what it was he had let slip...
3. Had he lied to a Lord? Leered at a Lady? He lurched back to his lodgings, lolled through he door, and lo! Lying in the lobby was a letter, light but lethal. The libel-claiming loon was about to let on! Was it a litigious lord? A la-di-da lady? Little by little he leaned and he looked and he learned…
Many moons, moaned M,
Have I mooched below L,
Whereas I am, in point of fact, master!
Why all things malevolent
March forth with M,
I am monstrous, and madden much faster!
Why else maggots and malice,
Manure, mould and mumps,
Why else mad cows, mosquitoes and mud?
Too long you’ve allowed
Lance by ‘L’ to be cowed
When in fact, as a letter, he’s dud!
So make up your mind –
Who will be your main man?
Move maturely, be manful, pick well.
But a word in your ear
(though the matter is clear)
Only manifest madmen choose L!
A massive, maroon M concluded the missive, and Lance was much moved. This was the mysterious mugger of his peace of mind! He was motionless on the mat. What should he do? Avoid melons and motorcars and men for the rest of his miserable life? Or Lydia, ladies and lunch? He was still lying lethargically and moaning morosely when suddenly -
4. Well, the question;
how to continue....
..stretched Lance's every sinew
What could he say..
..could he there stay?
So Leicester was to be replaced
for he thought an island was the place
to recover his guile
in a far and lonely isle!
The internet was checked
and his suitcase bedecked
with things for hot sunny days
A ticket was booked
and his passage looked
assured, far, and away
So he got to the airport
without any more thought
He searched for his flight
and all went to delight
Check-in was done
Baggage under a tonne
Seat belt strapped in
Just about to begin.......when,
there on the flight! A fright!.....
5. But enough about Lance for the moment - wouldn't you like to know more about Mrs Lydia Liddleton? Fed-up to the eye-teeth with her husband's disregard for her feelings, she was discovering her love for husband "Lucky" Lance Liddleton was on the wane. No more did she wish to succumb to lying languidly in ‘loneliness laughing lamely at his leaving’! Not for her any longer the inertia of sorrow as her husband cavorted round the globe on the bosom of a loose lady.
Ire fermenting in her head, Lydia is oblivious to the streets of Leicester as she storms down the avenue of broken dreams, but with a sudden, some would say inevitable, bump, she finds herself flat on her pert posterior, skirts bunched in her lap, as in front of her the magnificent Malcolm Muniche proffers his hand…
6. All that she could learn of him at first sight, through her tear-induced lippitude, was a marvellously moliminous moustache, bristling endearingly through her miasma of grief. Mrs Lydia Liddleton lowered her eyes, and accepted the hand, a hand that was moist and meaty, her own hand lithe and slender held lightly in his grasp. Finally, the meaningful meeting of eyes, lasting lingeringly before Lydia turned away for a second time.
7. She had known that the Abecedarian-Zealots would send such mystagogue into the midst of her lonely, lexiphanic life, and came quietly. But that in her head, silently cursed her luckless matrimony “What has that ludicrously logoleptic, labrose, liliputimous, Lancelot Liddleton said now?!”
Later that evening, she was lead, a little more languorously but still cursing her idiot-husband, into the Grand Chamber of the awful A-Z zealots...
What could they want from Her??
8. Passion propelled her past the onerous O into a place of plenty,plumetting past pride into p...p...p..p, no my lady, not prostitution, but positions portrayed in more purple prose than this story permits. So we'll pause a while to leave the good lady to enjoy her passionate embraces in privacy.
9. Peace,save perhaps for the prophecy of the patter of tiny pedated protruberances sired by Malcolm Muniche. Oh Malcolm, is paternity what you had in mind?
10. We have lingered on Lydia long and left Lucky Lance. Does the reader recall his attempted flight from M, motherland and his much-martyred marital mate? Does the reader recall the fright awaiting him on his flight? Well…
Lance was a seaman, and as such used to more basic onboard facilities. He’d never been on a state-of-the-art Getaway Airlines flight, and didn’t realise that, along with free cashews, undersized beverages and hot towels, Getaway Airlines provided top speed in-flight broadband. Lance was tickled pink and flicked on the screen with great gusto – but oh! The person before him – an individual of quite unparalleled taste and intelligence – had been reading the Ways With Words Interns’ blog!
Lance glanced, then gazed, then gaped. Oh, Lydia, Lydia! Lance lowered his eyes in shame. He was leaving the loveliest lady in Liverpool – and leaving her, moreover, to the malicious, malodorous Malcolm Muniche!
He jumped up, scattering complementary nuts and miniature bottles of tonic water. He charged down the aisles – not even hesitating for his hand luggage – and out the terminal doors into the drizzling afternoon. But to him it seemed like the sweetest sunshine, blessed and beautiful, for in it dwelt his lady love!
He pounded the pavements, heart pumping, praying that his perfect partner would be where he left her (if you remember - lying languidly in loneliness laughing lamely at his leaving…). Once more he lurched back to his lodgings, lolled through the door, and lo!
WINNER of the Prize Draw!
All of the interns at Ways With Words are pleased to announce that the winner of a pair of Great Hall Day Tickets for Sunday 12th July is our Follower Anna Lewis!!
This prize entitles you, Anna, to two tickets which cover events #18-#23 inclusive.
This fantastic prize, worth over £70, is a wonderful opportunity for you to see and hear Michael Buerk, Christopher Potter, and Susie Boyt (amongst others) in action!
To organise collection please get in contact with Natalie at admin@wayswithwords.co.uk.
Again, congratulations!
This prize entitles you, Anna, to two tickets which cover events #18-#23 inclusive.
This fantastic prize, worth over £70, is a wonderful opportunity for you to see and hear Michael Buerk, Christopher Potter, and Susie Boyt (amongst others) in action!
To organise collection please get in contact with Natalie at admin@wayswithwords.co.uk.
Again, congratulations!
Thursday 2 July 2009
BOOK REVIEW
THE BOOK OF FIRES
BY JANE BORODALE
This novel develops in strength as you become embroiled in the character of the main protagonist. The amount of research that Jane Borodale has done is vital to the plot of the novel and increasingly becomes apparent as the heroine's education in pyrotechny advances.
Initially, the present tense internal monologue of the heroine is difficult to navigate and it is not until the character develops further that one is pulled into the narrative. Yet it is well-worth your patience and the twists the plot takes are not as straight-forward as you may suppose. Though I was slightly confused by the timeline of the heroine's pregnancy, I geniunely wanted her to succeed. I found myself avidly reading the final chapters, delighting in the outcome of this strong, resourceful, and intelligent female.
Natalie Intern x
BY JANE BORODALE
This novel develops in strength as you become embroiled in the character of the main protagonist. The amount of research that Jane Borodale has done is vital to the plot of the novel and increasingly becomes apparent as the heroine's education in pyrotechny advances.
Initially, the present tense internal monologue of the heroine is difficult to navigate and it is not until the character develops further that one is pulled into the narrative. Yet it is well-worth your patience and the twists the plot takes are not as straight-forward as you may suppose. Though I was slightly confused by the timeline of the heroine's pregnancy, I geniunely wanted her to succeed. I found myself avidly reading the final chapters, delighting in the outcome of this strong, resourceful, and intelligent female.
Natalie Intern x
BOOK REVIEW
HOW TO PAINT A DEAD MAN
BY SARAH HALL
Spanning over forty years, Sarah Hall’s novel is a haunting puzzle that invites you to piece together the tangled lives’ of her four protagonists. Delving into art, humanity, loss, love and desire, Hall plays on the narrative style, illuminating each character’s life either through the medium of monologue, second person or third person, while also allowing a sense of omniscience to prevail.
The astute reader will swiftly perceive the connections as each “voice” reveals more and more, yet Hall will neither confirm nor deny your suspicions, especially towards the end, and one is left wanting confirmation, along with a sense of shock, even though redemption appears to be on the horizon.
Natalie Intern x
BY SARAH HALL
Spanning over forty years, Sarah Hall’s novel is a haunting puzzle that invites you to piece together the tangled lives’ of her four protagonists. Delving into art, humanity, loss, love and desire, Hall plays on the narrative style, illuminating each character’s life either through the medium of monologue, second person or third person, while also allowing a sense of omniscience to prevail.
The astute reader will swiftly perceive the connections as each “voice” reveals more and more, yet Hall will neither confirm nor deny your suspicions, especially towards the end, and one is left wanting confirmation, along with a sense of shock, even though redemption appears to be on the horizon.
Natalie Intern x
Wednesday 1 July 2009
BOOK REVIEW
MARCHING TO THE FAULT LINE - THE 1984 MINERS' STRIKE AND THE DEATH OF INDUSTRIAL BRITAIN
BY FRANCES BECKETT AND DAVID HENCKE
As a child of 1984 I cannot remember anything of the 1984 Miner's Strike but its legacy is something I have grown up with. The homeland I have lived my 25 years in has been largely bereft of the huge industries that dominated 20th century Britain. It is undeniable that the face of British industry has changed dramatically since the 1970/80's and now we are a country where services industries reign. The catalyst for this change appears to have been the Miner's Strike, a blow from which the trade union movement would never recover.
It's seems correct therefore, for Beckett and Hencke to approach their history of the 1984 strike with a nod to it's impact. Quite rightly though, they save this for the conclusion (bar a few hints) and they focus on narrating the strike. This was the main hook for me, learning about how and why the action progressed. How, whilst I was being born, men, women and children were practically starving in Great Britain (the same year as Band Aid).
Beckett and Hencke's research appears extensive and it seems they spoke to most of the major players in the saga as well as viewing government papers released under the Freedom of Information Act. However, the two major characters - or should I say caricatures - both declined to contribute their voice. This may have been an error - particularly on Scargill's part - as, while they both come across as determined, stubborn and seeking all out victory, it is Scargill who by not compromising essentially sped up the subsequent scheme of mine closures.
Whilst the narrative is intriguing and enlightening, it is in the conclusion where Beckett and Hencke get their message across best. During the narrative I was feeling seeing the stupidity of Scargill and the genius of the government, winning a battle that essentially irradicated the stress and strain nationalised industries and trade unions had brought to Britain over the previous generation, allowing Britain economy to move forward. But after the conclusion, in which Beckett and Hencke present the downsides to Thatcher's steadfastness, I was left lamenting a lost Britain. Where then; Mining communities were tight-knit and self-regulating; they are now desolated and drug addled. Where then, most of Britain's coal was domestically produced, providing jobs for Britons; now we still rely on coal to power our power stations but it is mostly imported.
This book is therefore a place for the uninitiated, like me, to learn about the ‘Civil War’ as they call it, that ended the way industry operated in Britain. But also it is a book for those who, despite knowing about the strike, want to know more.
by Charlie Intern x
BY FRANCES BECKETT AND DAVID HENCKE
As a child of 1984 I cannot remember anything of the 1984 Miner's Strike but its legacy is something I have grown up with. The homeland I have lived my 25 years in has been largely bereft of the huge industries that dominated 20th century Britain. It is undeniable that the face of British industry has changed dramatically since the 1970/80's and now we are a country where services industries reign. The catalyst for this change appears to have been the Miner's Strike, a blow from which the trade union movement would never recover.
It's seems correct therefore, for Beckett and Hencke to approach their history of the 1984 strike with a nod to it's impact. Quite rightly though, they save this for the conclusion (bar a few hints) and they focus on narrating the strike. This was the main hook for me, learning about how and why the action progressed. How, whilst I was being born, men, women and children were practically starving in Great Britain (the same year as Band Aid).
Beckett and Hencke's research appears extensive and it seems they spoke to most of the major players in the saga as well as viewing government papers released under the Freedom of Information Act. However, the two major characters - or should I say caricatures - both declined to contribute their voice. This may have been an error - particularly on Scargill's part - as, while they both come across as determined, stubborn and seeking all out victory, it is Scargill who by not compromising essentially sped up the subsequent scheme of mine closures.
Whilst the narrative is intriguing and enlightening, it is in the conclusion where Beckett and Hencke get their message across best. During the narrative I was feeling seeing the stupidity of Scargill and the genius of the government, winning a battle that essentially irradicated the stress and strain nationalised industries and trade unions had brought to Britain over the previous generation, allowing Britain economy to move forward. But after the conclusion, in which Beckett and Hencke present the downsides to Thatcher's steadfastness, I was left lamenting a lost Britain. Where then; Mining communities were tight-knit and self-regulating; they are now desolated and drug addled. Where then, most of Britain's coal was domestically produced, providing jobs for Britons; now we still rely on coal to power our power stations but it is mostly imported.
This book is therefore a place for the uninitiated, like me, to learn about the ‘Civil War’ as they call it, that ended the way industry operated in Britain. But also it is a book for those who, despite knowing about the strike, want to know more.
by Charlie Intern x
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